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Woman With Braided Hair And Wedding DressFueled by a resurgence of interest in traditional culture among the youth and its amplified presence on social media platforms, Hanfu has once again captured the spotlight. The growing popularity of this fashion trend has ushered in new business opportunities for many across China, including services such as traditional Chinese makeup, photo shoots, and costume rentals. An increasing number of people in China are rediscovering an appreciation for Hanfu and proudly wearing it in public, which reflects cultural confidence. BEIJING/ROME, March 9 (Xinhua) — Amidst gold tiles and red walls of picturesque gardens, Chinese youths adorned in traditional attire, known as Hanfu, gracefully posed for photographs, evoking a nostalgic journey to ancient times. Jin Yujin, a 29-year-old Hanfu enthusiast with some 11,000 followers on China’s leading lifestyle social platform Xiaohongshu, posted a video showing a group of women including herself wearing traditional attire for the Lantern Festival, attracting massive engagement. Jin’s fascination with Hanfu started in 2013 when she joined a Hanfu society at her university. Fueled by a resurgence of interest in traditional culture among the youth and its amplified presence on social media platforms, Hanfu has once again captured the spotlight. However, this perception has undergone a significant shift in recent years. Around the Chinese New Year holiday this year, it was common to see tourists wearing Hanfu when visiting Chinese cultural heritage sites like the Tang Dynasty (618-907) imperial complex of the Daming Palace National Heritage Park, the Huaqing Palace in northwest China’s Shaanxi Province, and the Temple and Cemetery of Confucius and the Kong Family Mansion in Qufu, a UNESCO World Heritage Site in east China’s Shandong Province. Qufu even granted free entry to cultural sites for those dressed in Hanfu during the holiday. Jin said she can now spot an increasing number of stores offering Hanfu-style dresses. The growing popularity of this fashion trend has ushered in new business opportunities for many across China, including services such as traditional Chinese makeup, photo shoots, and costume rentals. She said that an increasing number of people are bringing their own costumes, requesting particular traditional makeup and hairdo, which indicates a more obvious personal preference on images in ancient culture. Ms. Li, who runs a Hanfu rental and retro-look service store in Qianmen, located at the heart of Beijing, has been quite busy lately. In 2023, the number of new Hanfu-related businesses reached 2,686, a 355.25 percent increase from the previous year. According to Qichacha, a business data platform in China, the country is home to nearly 6,000 Hanfu-related businesses, with the number continuing to rise. The traditional Hanfu robe embellished with intricate embroidery can be traced back to the Han Dynasty (202 B.C.-220 A.D.). But, Hanfu has evolved throughout history, resulting in a diverse array of designs seen in different Chinese cities today. For example, in east China’s Suzhou and Hangzhou, people tend to favor the Hanfu style of the Southern Song Dynasty (1127-1279), while in Beijing, costumes from the Ming and Qing dynasties (1368-1911) are more prevalent, aligning with the architecture of the Palace Museum and the Summer Palace. Meanwhile, in Xi’an and Luoyang, former ancient capitals, there’s a preference for traditional clothing and cultural elements that better embody the Tang Dynasty culture. Caoxian County, situated in east China’s Shandong Province, stands as one of the largest Hanfu-producing hubs in China. Presently, it is home to 12,797 online Hanfu stores and 2,186 businesses related to the industry, with nearly 100,000 people involved in the relevant sector. In January, Hanfu sales in Caoxian totaled approximately 920 million yuan (about 128 million U.S. The diversified fashion trends are believed to be conducive to the preservation and promotion of Hanfu. Li Zilei, a businessman from Caoxian, adding that apart from domestic orders, they have also received orders from overseas. The Hanfu fever has also spread to foreign countries like Italy. As 2024 is the Chinese Year of the Loong, or Dragon, designers have used dragon and phoenix motifs to adorn such attires. During Carnival 2024, which concluded across Italy on Feb. 13, and culminated with the famous Venice parade of costumes and masks, a display of Hanfu was featured in the vibrant finale of the parade. Dressed in Hanfu, a group of 22 Italian and Chinese volunteers participated in a parade at the Piazza San Marco in the city center. Such a show was included in the Venice Carnival for the second consecutive year. Chantal, an Italian student at the Confucius Institute at the Ca’ Foscari University of Venice, donned a princess costume made of scarlet silk to join the parade. On Feb. 19, a magnificent Hanfu parade unfolded at the heart of Rome, attracting over 200 local residents adorned in traditional Chinese attire. Felini Antonio, an Italian citizen attending the event. According to Chen Yifang, organizer of the event and president of Hua Xing Arts Group Rome, the Hanfu craze was partly triggered by a foreign fashion brand’s alleged replication of the design of the traditional Chinese horse-faced skirt without clarifying its inspiration. Volunteers distributed pamphlets in Italian about these dresses. Chinese architecture, refers to the part of the wall extruded on the exterior wall, while the skirt carries the same symmetrical effect in Chinese traditional aesthetics. The horse-faced skirt is a type of Hanfu featuring a high and flat front and pleated sides that originated in the Song Dynasty (960-1279) and prevailed in the Ming and Qing Dynasties. Chen, the Hanfu advocator in Rome. Dishang Group Co., Ltd., a clothing enterprise based in Weihai City in Shandong Province, specializes in designing, selling and renting horse-faced skirts. These attires are particularly popular among tourists visiting the coastal city. Wang added that the company boasts more than 3,000 designers at home and abroad, and they incorporate traditional Hanfu structural designs and patterns into contemporary designs. Wang Shuai, chief designer at Dishang. The company has also won applauses for incorporating Hanfu elements into the design of airline staff uniforms, he noted.

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capWhether you’re attending a cultural event, a festival, or simply want to add a touch of sophistication to your wardrobe, Hanfu Modern is your go-to choice. Trending Hanfu Styles to Explore Explore the vast array of trending Hanfu styles that are taking the fashion world by storm. From the regal ‘Hanfu Dynasty Style’ with its intricate embroidery and flowing silhouettes, to the chic and minimalist ‘Hanfu T’, there is a style to suit every taste and occasion. For a truly enchanting look, the ‘Traditional Chinese Tang Skirt’ is perfect for those who want to channel the elegance of the Tang Dynasty. Discover the ‘Traditional Hanfu’ with its distinctive designs inspired by ancient China, or try on a ‘Hanfu Dress’ that combines elegance and comfort. The Perfect Hanfu for Every Season Whether it’s a warm summer evening or a brisk winter day, Hanfu Modern has something for everyone. For a stunning full ensemble, the ‘Hanfu Women Full’ set is a must-try, offering a complete look from head to toe that is both fashionable and culturally significant. Embrace the ‘Hanfu Fairy’ look with its light and airy fabrics perfect for summer, or indulge in the warmth of the ‘Winter Hanfu Ming’, which features cozy, padded designs ideal for the colder months. Unlike traditional Hanfu, which can sometimes be cumbersome, Hanfu Modern designs are carefully crafted to ensure both style and ease of movement. The ‘Hanfu Horse Skirt’, for instance, offers a stylish solution that allows you to enjoy your activities without any restrictions. Discover the Flexibility and Comfort of Hanfu Modern One of the greatest advantages of Hanfu Modern is its flexibility and comfort. Join the Hanfu Modern Movement Are you ready to embrace a new level of cultural pride and fashion innovation? The Hanfu Modern movement is here to inspire you. Whether you are attending a Hanfu festival, participating in cultural events, or simply looking for a unique and stylish wardrobe addition, Hanfu Modern has something for everyone. Explore the latest trends and designs, and step into a world where tradition and modernity coexist beautifully. Additionally, the ‘Hanfu Women Full’ set is not only beautiful but also designed with the comfort of the wearer in mind, making it perfect for long events or photoshoots. Shop Hanfu Modern Today! Visit our website to explore a wide range of Hanfu Modern designs and styles. Shop now and join the Hanfu Modern community, where tradition meets contemporary style. From casual everyday wear to elegant formal wear, we have everything you need to make a statement. Embrace Hanfu Modern and Let Your Cultural Pride Shine!

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a woman with curly hairGufeng music (traditional Chinese: 古風音樂; simplified Chinese: 古风音乐; pinyin: gǔfēng yīnyuè; Jyutping: gu2 fung1 jam1ngok6) is a type of music genre by artists originating from the Greater China region, It is a kind of C-pop music with the background of Chinese legends, the style of Chinese folk songs and drama, red cheongsam dress the melody that is similar to classical Chinese music and played by classical Chinese musical instruments. The lyrics of Gufeng music are created mainly based on ancient Chinese mythological legends and verses. This kind of music has also become popular among Internet cultures such as Hanfu movement. It is similar but slightly different from Zhongguo feng music. The name seems to derive from the namesake lyricist column on Fenbei, and the basic concept of Chinoiserie music, a term which describes Western approximations of Chinese music. 侯冬意 (2015-11-01). “试论古风歌曲的起源与现状及其前景”. Gufeng music was usually called Xianxia music (仙侠; xianxia being a genre of Chinese fiction that is similar to wuxia, but with more mythological elements), and what now seems like a movement began rather quietly in 2005, calling for netizens to write lyrics with ancient-styled poems for the music in some popular PC games, including The Legend of Sword and Fairy and Fairy and Sword of Xuanyuan. 文艺杂谈. 文学教育. 李雅欣 (2015-01-01). “消费文化视角下的古风流行音乐”. 靳莎莎 (2014-01-01). “浅析古风音乐的创作”. 音乐与舞蹈学. 文学教育. 文艺争鸣. 孙炜博. “文化批判视野下的网络古风音乐探析”. 高晴 (2014-06-27). “那些年,我们听过的古风音乐”. 中国艺术报. 李奕辰 (2017). “近十年中国古风网络游戏配乐初探”. China Internet Information Center (in Chinese (China)). Manyao, Ren (2015-05-13). “古风音乐唱响人民大会堂”. ACGx. “万万没想到,周杰伦都被古风音乐圈给鄙视了”. This page was last edited on 16 May 2024, at 08:04 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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Notes from Miss Sara - The Academy of Ballet and EtiquetteBixi (Chinese: 蔽膝; pinyin: bìxī; lit. Chinese: 韍; lit. Chinese decorative piece of fabric, which acts as a knee covering, in Hanfu. The bixi originated from primitive clothing back when animal hides were used to cover the abdomen and the genitals. The bixi was later introduced in Korea during Goryeo and Joseon by the Ming dynasty, along with many garments for royalties. During the Shang dynasty, the basic style of clothing for men and women consisted of yichang and bixi. Among many other types of female clothing items, the bixi was listed in tomb inventories dating from 361 AD. In the Ming dynasty, the bixibecame part of the official clothing. The bixi is a length of fabric which is typically long enough to reach the kneel-level and cover the front legs when attached to the waist of its wearer. A red bixi was worn as part of the mianfu which was worn by the Chinese emperors. Emperor Zhao of Han with a red bixi. Emperor Wu of Jin dynasty wearing mianfu with a red bixi. A crimson bixi was worn as part of the tongtianguanfu. Wanli Emperor wearing a red bixi as part of the mianfu, Ming dynasty. A bixi was also worn with the diyi worn by Chinese empresses; the bixi worn in the diyi hanged in front of the garment and had the same colour as the bottom colour as the lower skirt. Emperor Xuanzu of Song wearing tongtianguanfu with a crimson bixi. Song dynasty empress wearing diyi with a bixi. Hua, Mei (2011). Chinese clothing (Updated ed.). Cambridge, United Kingdom. p. Zhang, Fa (2016). History and spirit of chinese art. Zhongguo xie zhen hua. Xianggang: Mu wen tang mei shu chu ban she you xian gong si. Encyclopedia of Korean Culture. Encyclopedia of Korean Folk Culture. Shanming Guan, 關善明 (Di 1 ban ed.). Dien, Albert E. (2007). Six dynasties civilization. Lüsted, Marcia Amidon (2016). Ancient Chinese daily life (First ed.). New Haven, Conn.: Yale University Press. 5000 years of Chinese costumes. Zhongguo fu zhuang shi yan jiu zu. Xun Zhou, Chunming Gao, 周汛, Shanghai Shi xi qu xue xiao. Zhang, Shuhua; Shanat, Musdi bin Hj; Abdullah, Qistina Donna Lee (2021-03-31). “The Expression of Religious Elements and Factors of Religious Thoughts in the Empress’s Ceremonial Costume “Hui Yi” of Song Dynasty”. San Francisco, CA: China Books & Periodicals. International Journal of Service Management and Sustainability. This clothing-related article is a stub. You can help Wikipedia by expanding it. This China-related article is a stub. 6 (1): 89-108. doi:10.24191/ijsms.v6i1.12880. You can help Wikipedia by expanding it. This page was last edited on 17 April 2024, at 20:50 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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Perfect Costume 天衣無縫: Shen Yi (深衣), the best description of HanfuHanfu, the traditional clothing of the Han Chinese, has a history that spans thousands of years. It’s a symbol of Chinese culture and identity, and it’s as diverse as the country itself. But before we delve into the differences between modern and traditional Hanfu, let’s take a moment to appreciate the beauty of Hanfu as a whole. Each piece tells a story, a tale of a time when emperors and empresses ruled, and clothing was more than just fabric – it was a status symbol. I remember the first time I wore a traditional Hanfu. Traditional Hanfu, with its flowing silhouettes and intricate designs, is a sight to behold. It was for a cultural festival, and I was mesmerized by the elegance and grace it exuded. Traditional Hanfu is usually reserved for special occasions like festivals, weddings, purple hanfu and cultural events. The silk fabric, the embroidery, the way it moved with the wind – it was like wearing a piece of history. Enter modern Hanfu, the trendy cousin of traditional Hanfu. It’s a way to connect with our roots and celebrate our rich heritage. It’s Hanfu reimagined for the 21st century. Modern Hanfu takes the essence of traditional designs and blends it with contemporary fashion trends. It’s about expressing your personal style while honoring your cultural heritage. I often wear modern Hanfu to work, and it’s always a conversation starter! Modern Hanfu is versatile and can be worn for various occasions, from casual outings to formal events. Now, let’s compare the two. Traditional Hanfu is all about authenticity. It stays true to the original designs and materials, often silk or brocade. Modern Hanfu, on the other hand, is about adaptability. It incorporates modern materials and designs, making it more practical for everyday wear. Traditional Hanfu connects us to our past, while modern Hanfu helps us carry our culture into the future. In terms of cultural significance, both styles hold a special place in our hearts. Choosing between modern and traditional Hanfu depends on your personal style and the occasion. But if you’re looking for something to wear on a casual day out, modern Hanfu would be a perfect choice. If you’re attending a cultural event, traditional Hanfu might be the way to go. Whether you choose traditional or modern Hanfu, the most important thing is that it reflects who you are. Whether you’re a fan of traditional Hanfu or modern Hanfu, one thing’s for sure – Hanfu, in all its forms, is a beautiful expression of Chinese culture. Remember, qipao men fashion is all about self-expression. So why not explore both styles? After all, fashion is all about experimenting.

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結婚式を挙げました!テーマは\The Dazed Beauty Community is our ever-expanding encyclopaedia of creatives and emerging talent from across the world who are redefining the way we think about beauty. From supermodels to digital artists to make-up prodigies transforming themselves in their bedrooms, these are the beauty influencers of tomorrow who embody everything Dazed Beauty is about. Chinese Cultural Revolution has found a fresh platform. Like a lot of bored people in lockdown, 23-year-old Chuyan Wang joined the hanfu revolution of young Chinese people dressing in traditional historical clothes that swept Douyin (Chinese TikTok). Now, a newly initiated young audience are choosing to incorporate key pieces into their everyday wardrobe, as seen in popular Douyin streetwear fashion edits. She began sharing obsessively-researched explainers on niche aspects of Chinese aesthetics through the ages, which were delivered while recreating the looks on her face. Half-Chinese and raised in Seattle, Wang (better known by her handle, @mochihanfu) used this opportunity to really get in touch with her roots. “I definitely appreciate how unwaveringly Chinese she was,” Wang says. “When I’m into something, I want to know everything about it,” she explains, adding that she was inspired by film adaptations of Chinese myths like Monkey King (about Sun Wu Kong) and Shanghai animation The 9 Coloured Deer, as well as her childhood exposure to Chinese culture through her mum. Filling in the blanks for a new generation on TikTok one huadian (forehead design), xiehong (temple cut), and yedian (dimple dot) at a time, Wang translates ancient history into living present through her work, relearning to love her features through embracing make-up that was actually made for them in the process. “I feel like an imperial consort. “I feel like my ancestors when I wear hanfu,” she says, describing why she feels the most beautiful in a full face of historical make-up, hair heavy with the weight of jewellery that clinks with every step, or even just incorporated into her modern wardrobe through the rise of xinzhongshi (新中式/ “new chinese style”). What are you trying to communicate through your work? Here, we speak to the artist about evolving from her Insta baddie to Tang dynasty consort era, identifying with Studio Ghibli’s Princess Kaguya, and the value of sharing her culture online. I think a lot of people, myself included, don’t know a lot about all the different types of clothing throughout China’s five-thousand-year history and all the different types of make-up as well. Mochi Hanfu: I think above all I’m just trying to show how beautiful and rich Chinese fashion is. Which fictional character do you most relate to? I think a lot of people think of China as pretty monolithic but I want to show that it’s actually very, very diverse. Mochi Hanfu: I think I relate to Kaguya from Studio Ghibli’s Princess Kaguya movie the most. That movie actually makes me ugly cry every time I watch it. I don’t know what it is, but even typing about it now gives me chills. Kaguya grows up insanely fast, her parents force what they want for her onto her, she doesn’t feel connected to people, and there’s this scene in the movie where she hears people at a party talking about her and saying mean things and she just snaps. She sobs, breaks a dish, and then starts running and the art is just breathtaking. All the delicate lines turn into these thick emotional charcoal lines and oof. It is just so good and expresses a lot of emotion that even I can’t describe. Who is your beauty icon of all time? She was the princess credited with starting Huadian (forehead designs) and changed make-up history for the remainder of the dynasties. Mochi Hanfu: My beauty icon is definitely Princess Shouyang! Mochi Hanfu: I think my favourite personal look so far is when I did a recreation of Yang Guifei. What is your favourite look you’ve done? Another recent favourite is from Geya (pictured above) on Xiaohongshu (the Chinese Instagram equivalent) which I actually recreated for my DIY tutorial. I just look so delicate and soft and it took me around four hours so I think I am attached to this look because I know how long it took. What is your current obsession? Mochi Hanfu: Xinzhongshi (新中式/ “new chinese style”)! She just has such an ethereal look to her and I aspire to have this type of makeup aesthetic. It’s this new trend coming out of China that incorporates traditional elements into modern styles. It really clicks for me, especially as a half-Chinese person and Chinese-American. I highly recommend the diaspora try it out because it just feels right. I love all the new designs coming out recently, my closet is now mostly xinzhongshi. You can always check out my personal Instagram (@chuchuchuyann) to see some daily xinzhongshi outfits on my stories. There are also a lot of xinzhongshi influencers on Xiaohongshu – I love 善善子, for example. What does beauty mean to you? I’m always playing around with it. Mochi Hanfu: Experimenting. I think a lot of us, especially in western culture, are so used to kind of a uniform look. I know a lot of my POC friends wanted to fit in with white people and white culture so they would do make-up that didn’t necessarily compliment their features. During the Instagram baddie era of 2014 to 2016, for example, everyone wanted to have those thick Anastasia Beverly Hills brows, the bronze eyes, the matte lips… I think thanks to TikTok and the pandemic, there’s a lot more diversity within beauty and people are doing make-up that compliments their own features instead of trying to fit in with a certain look. I was definitely part of the Instagram baddie craze and it looked odd on me. For me personally, discovering traditional make-up was life-changing. ’s just completely the opposite of everything that we see nowadays. I look at my Snapchat memories and cringe. A wide, round face is favoured! Smaller lips are favoured, completely different from Kylie lips. And I’m pretty pale so embracing that with traditional make-up was pretty crazy too.

2001Just everything about traditional Chinese make-up suits Chinese features, but discovering that myself definitely helped me gain more confidence and changed the way I view myself for the better. I’ll never be an Instagram Kylie baddie but at least I’m the hottest consort in the Tang dynasty, you know? Mochi Hanfu: I feel most beautiful when I am dressed head to toe in historical fashion: my hair decorated in pounds of gorgeous jewellery that clinks when I walk; my huadian (forehead designs), xiehong (temple cuts), yedian (dimple dots) freshly applied; my lipstick looking small and pouty like a rosebud; and of course wearing beautiful silks and layers and layers of dresses. When do you feel most beautiful? It feels so right. I feel like my ancestors when I wear hanfu. Although these days I have also expanded into feeling the most beautiful when I wear xinzhongshi and have a cool combination of traditional and modern make-up on, my high heels on so that I can be as tall as I want. Mochi Hanfu: Of course! Are you optimistic about the future? I’m the type of person – Pisces mars – to kind of go with the flow and see where the universe takes me. I’m a pretty optimistic person in general. Mochi Hanfu: I think the future of beauty is definitely people embracing their culture and incorporating it into their daily style. What is the future of beauty? I think we see that already with xinzhongshi and it looks so cool. I think it would be dope. I would love to see styles like that from every culture, every ethnicity on earth. What do you go for? Mochi Hanfu: I think I would want to replace my skin with dragon scales. You have to replace part of your body with that of an animal or a mythological creature. Just like a dragon lady in hanfu would be a look. I don’t know, I feel like that would be cool. You have the ability to live in a video game. Mochi Hanfu: Just based on my personal preference, Fire Emblem. Which would it be and why? I love that game so, so, so much. It’s my favourite game ever! If I had to choose based on aesthetics though, cheongsam qipao probably Cyberpunk! I did play the game and it sucked but the aesthetics were so cool. I would want to be a pegasus knight and swoop down and kill enemies with a lance while looking absolutely gorgeous. I would love to be a lil cyberpunk hanfu princess – I think my make-up look that I did for the DIY tutorial would fit right in! Join Dazed Club and be part of our world! You get exclusive access to events, parties, festivals and our editors, as well as a free subscription to Dazed for a year. Watch @mochihanfu’s DIY tutorial below. Join for £5/month today.

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kimonoTalk to me here! Late 20s, she/her. Fic and meta writer, on AO3 by the same name. This blog began as CS based but has widened to whatever else I like – currently a lot of Leverage, Ace Attorney, and Dracula (as well as other classic lit substacks). Read them, half the time they’re longer than my actual posts. I ramble in my tags. Talk to me anytime, I’m sporadic about being on here but I enjoy conversation! Also writing prompts if anyone feels so inclined. Powered by Tumblr. Minimal Theme designed by Artur Kim.

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2023 Qing Dynasty Women's Wear, Double breasted Cloak, Round ...What is a Chinese male Hanfu? The Yi is the quintessential upper garment in male Hanfu attire. A Chinese male Hanfu is a traditional Chinese garment with components like Yi (upper garment), Chang (lower garment), and Pao (robe). This type of clothing has undergone various modifications over centuries but has always retained its basic form. It’s a versatile piece that can be worn for both casual and formal occasions. Materials used for making Yi range from cotton for everyday wear to fine silk for more formal settings. Embroidery and patterns on the Yi often carry significant symbolism, such as dragons or phoenixes, representing nobility and grace. Typically, it features a cross-collar, wrapped right over left, and is secured with a sash at the waist. For those interested in the evolution of this garment, the Yi Wikipedia page offers a detailed history. It usually takes the form of a skirt or a pair of trousers. Skirt-style Chang is pleated and can have various designs, including embroidered patterns and symbolic motifs like clouds or mountains, often inspired by natural elements. The Chang serves as the lower garment in a traditional Hanfu ensemble. The trousers can be held up by a fabric belt or sash. When trousers are worn, they are generally loose and may have a tapered style towards the ankle. The Chang Wikipedia page can provide further information about its historical variations. Historically, it was a status symbol, as the patterns and materials used indicated the wearer’s social rank. These robes can be either full-length, covering from neck to ankle, or shorter versions that only reach the knee. The Pao is a long robe often worn over the Yi for formal events and ceremonies. You can commonly find Pao made of luxurious materials like silk, brocade, and even embroidered with gold thread for especially grand occasions. For an in-depth look at the Pao, you might find the Pao Wikipedia page beneficial. Unlike the Yi, the Ru does not have a sash and is often worn open or overlaid on other layers. It’s suitable for both formal and casual settings. Materials used for Ru are similar to those of the Yi, ranging from everyday cotton to more luxurious silks and brocades. The Ru is another popular upper garment, featuring an open cross-collar design. The Hanfu clothing style takes its name from the Han Dynasty, one of the most influential periods in Chinese history. During this era, clothing wasn’t just a utilitarian need but a marker of social status and cultural identity. The Ru may also be decorated with intricate embroidery, showcasing motifs like peonies or chrysanthemums, which carry their own symbolic meanings. Elites often wore luxurious fabrics like silk, while commoners usually wore hemp or cotton. The garments from this time laid the groundwork for what we today recognize as Hanfu. Different types of Hanfu existed for various occasions, from everyday wear to special ceremonies. It was a period of experimentation and refinement in Chinese clothing. The Yi, Chang, Pao, and Ru were all common elements during the Han Dynasty, albeit in slightly different forms than today. For an in-depth look into the Han Dynasty’s influence on Chinese culture and clothing, the Han Dynasty Wikipedia page is a great resource. For example, during the Tang Dynasty, a more open and international environment led to adaptations in clothing styles, incorporating elements from as far as Persia and Central Asia. The Ming Dynasty saw a resurgence in ethnic Han culture, including the re-adoption and standardization of Hanfu. As China transitioned through different dynasties, each era brought about its own set of influences on Hanfu. In modern times, the Hanfu movement seeks to bring back these traditional forms of clothing as a means of cultural expression and pride. New forms and styles emerged, which were both innovative and deeply rooted in tradition. This is more than just a fashion trend; it’s a form of reconnecting with China’s rich sartorial history. For those interested in how Hanfu evolved across different Chinese dynasties, visiting the Hanfu Wikipedia page can provide a broader historical context. Fabrics such as wool and heavier silks are commonly used to provide warmth. The northern regions of China, with their colder climates, have their own unique styles of Hanfu. One characteristic feature is the use of fur or thick lining in the robes, especially the Pao. Longer sleeves and wider collars are also common to help retain heat. The design may incorporate Mongol or Manchu influences due to the historical context of these neighboring regions. For a deeper understanding of how the northern climate and culture have influenced Hanfu, you might want to consult the Hanfu Wikipedia page. You’ll often see the use of darker colors in northern Hanfu, like blacks, browns, and navy blues, as these shades are considered more practical and also carry certain symbolic meanings. In contrast, the southern regions of China feature a warmer, more humid climate, which has led to lighter and more breathable styles of Hanfu. Linen and thin silk are often the fabrics of choice, and you’ll see a preponderance of brighter colors like white, light blue, and light green, symbolizing the lush landscapes of the south. Floral and aquatic motifs, such as lotus and fish patterns, are popular in embroidery, symbolizing the natural scenery of the region. Southern styles often include shorter robes and skirts, song dynasty hanfu men and it’s not uncommon to see sleeveless options as well. Hanfu clothing shines brightest during traditional festivals like the Lunar New Year, Mid-Autumn Festival, and Dragon Boat Festival. During these times, people don these garments as a way of connecting with their heritage. For example, brighter and more colorful Hanfu are often chosen for the Lunar New Year to symbolize prosperity and good fortune for the year ahead. Specific types of Hanfu may be worn depending on the festival. If you’re interested in learning about Chinese festivals where Hanfu is traditionally worn, the Traditional Chinese Festivals Wikipedia page offers more information. Young people, in particular, enjoy wearing Hanfu casually, whether they’re going out with friends, attending school, or even just lounging at home. Casual Hanfu typically features simpler designs and materials like cotton to make them more comfortable for everyday wear. In recent years, the Hanfu movement has brought this traditional attire into daily life. To learn more about the modern-day Hanfu movement, you can check out the Hanfu Wikipedia page. Hanfu also holds a significant place in various Chinese rituals and ceremonies, such as weddings, ancestral rites, and Confucian ceremonies. The garments are often more elaborate, featuring intricate embroidery and the use of luxurious materials like silk and brocade. For those interested in the ritualistic aspects of Hanfu, the Chinese Rituals and Ceremonies Wikipedia page can provide more details. In these settings, the clothing isn’t just about aesthetics but serves a symbolic role. Red, for example, represents good fortune and joy, making it a popular choice for festive occasions and ceremonies. In traditional Chinese culture, colors are loaded with meaning, and this symbolism extends to Hanfu as well. Green signifies growth and harmony and is often used in Hanfu worn during spring festivals. Black and blue are generally associated with dignity and integrity, making them common in garments intended for formal or ceremonial use. The use of color in Hanfu is not random but steeped in cultural significance. If you’re intrigued by the symbolism of colors in Chinese culture, the Color Symbolism in China Wikipedia page can offer a deeper understanding. Hanfu clothing often features intricate patterns and motifs, each with its own set of meanings. Phoenix patterns symbolize rebirth and immortality, while floral motifs like peonies and chrysanthemums represent beauty and prosperity. Dragons, a powerful symbol of strength and good luck, are commonly seen in Hanfu worn by males, particularly in royal or noble settings. Other common patterns include geometric shapes, like circles and squares, which might symbolize the Earth and the heavens, respectively. Cloud motifs are often used to symbolize the connection between humans and the divine. It involves specific draping techniques that respect the garment’s historical and cultural background. Wearing Hanfu is not as straightforward as putting on a modern t-shirt and jeans. The basic elements like Yi (upper garment) and Chang (lower garment) often come with sashes or belts to help hold the pieces in place. You can find tutorials and guides on how to correctly drape Hanfu on platforms like YouTube, but for a deeper dive into the historical methods, the Hanfu Wikipedia page is also a valuable resource. When wearing a Ru or Pao, the cross-collars should be neatly aligned, and the sash should be tied in a particular way to achieve the traditional appearance. For men, options include hats, ornate belts, and even traditional shoes. In ancient times, different types of hats indicated one’s social status, so it’s an aspect worth considering when planning a historically accurate outfit. Accessories can elevate your Hanfu outfit to another level. These details, while subtle, contribute significantly to the overall aesthetics and meaning of the attire. Jewelry like jade pendants or wooden beads can also complement the Hanfu, adding an extra layer of symbolism and cultural depth. For more insights on traditional Chinese accessories, you can visit the Chinese Clothing Wikipedia page. Today, many designers and enthusiasts are modernizing Hanfu to adapt to contemporary lifestyles. This includes the use of modern fabrics, the incorporation of pockets, and the simplification of some traditional draping methods. Some modern Hanfu even feature zippers and buttons, which are obviously not traditional but make the garments more practical for everyday wear.

Draw hanfu

2001Dressed in a flowing long robe adorned with beaded floral embroidery from a bygone era, stylist Xiao Hang looks like she surfaced from a time machine as she strides across the bustling Beijing metro, attracting curious glances and inquisitive questions. China has embraced Western fashion and futuristic technology as its economy boomed in recent decades, but a growing number of young people like Xiao are looking to the past for their sartorial choices and donning traditional “hanfu”, or “Han clothing”. These historic costumes of the Han ethnic majority are enjoying a renaissance in part because the government is promoting traditional culture in a bid to boost patriotism and national identity. There is no uniform definition of what counts as hanfu since each Han-dominated dynasty had its own style, but the outfits are characterised by loose, flowing robes that drape around the body, with sleeves that hang down to the knees. In modern China, the hanfu community spans the gamut: from history enthusiasts to anime fans, to students and even young professionals. Xiao, runs her own hanfu business, hanfu red where she dresses customers for photo shoots and even plans hanfu-style weddings. Yang Jiaming, a high school student in Beijing, wears his outfit under his school uniform. Tang-style beige gown and black boots at a hanfu gathering, adding that his classmates and teachers have been supportive of his style. A woman wearing “hanfu” -l Chinese clothing – posing for photos. Clothes are the “foundation of culture,” said Jiang Xue, who is part of Beijing-based hanfu club Mowutianxia, which has received funding from the Communist Youth League. There is some way before the style reaches mainstream acceptance in China. In March, two students in Shijiazhuang Medical College in northern China were reportedly threatened with expulsion for wearing the outfits to school. Its popularity took off in 1920s Shanghai when it was modified into a fitted must-have, favoured by actresses and intellectuals as a symbol of femininity and refinement. Children wearing “hanfu” at a gathering of hanfu devotees at a park in Beijing. Chinese culture scholar Gong Pengcheng.

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Hanfu olympics

Hanfu sales revenue last year rose by more than 200 percent year-on-year. A group of young people wearing hanfu, the traditional clothing of the Han ethnic group, gathered at Donghua University in Shanghai in November to stage a series of performances. The event, featuring ancient dancing and singing, was staged by two traditional culture clubs-Han Fu and Huayue-and was seen by scores of attentive students. Deng Yujie, president of the university’s hanfu club, who hosted the event, said nearly 30 students took part in the performances. Deng added that in recent years, young people have become increasingly interested in activities to promote and display traditional culture. Such performances have had to be called off, however, because of the novel coronavirus pandemic. Deng, who also joined the hanfu club at her high school, said she spends about 3,000 yuan to 5,000 yuan (US$432 to US$720) on the attire every year. Young women wearing hanfu, the traditional clothing of the Han ethnic group, pose at a tourism festival in Kunshan, Jiangsu province, in May. Deng, a major of functional materials, said she began her love affair with hanfu when she was a child. Deng doesn’t just wear hanfu attire for performances. When she goes shopping or attends classes, she usually wears a “horse face skirt”-a traditional item of clothing featuring multiple pleats-or some traditional accessories. The main features of hanfu include collars, upper garments in the style of a skirt, jade ornaments and a sash, according to Wen. Wen Run, professor of textile design and industrial economics at Donghua University, said hanfu is totally different from Western attire, as it is part of “the national clothing system”. Materials such as brocade and yarn, along with traditional craftwork, including embroidery, are also hallmarks of the attire. Those from the Han group comprise the main type. Guo Xiaoxiao, a leading designer in Shenzhen, Guangdong province, said the hanfu cultural phenomenon emerged from the continuous integration and evolution of a number of ethnic costumes. There were more than 2 million hanfu enthusiasts in China in 2018, according to a survey by the market consultancy iMedia Research, a year-on-year rise of nearly 73 percent. The total value of the hanfu industry exceeded 1 billion yuan. A report released jointly by CBN Data and Tmall said hanfu sales revenue last year rose by more than 200 percent year-on-year. The report also said that last year hanfu items were mainly bought by young people, including students, with nearly 75 percent of buyers in the 16 to 24 age group. Meanwhile, the number of online hanfu stores on the Taobao shopping platform last year reached 1,188, a rise of nearly 46 percent compared with 2018, according to the 2019 Hanfu Industry Report by Hanfu Information. Many hanfu enthusiasts, including Deng from Donghua University, first learn about the culture from television and films. Children and their teacher perform traditional Chinese cultural rituals at a kindergarten in Nantong, Jiangsu. Many young people record themselves wearing hanfu clothing and accessories, sharing the footage with friends on the Bilibili platform. The attire features in popular period dramas such as Nirvana in Fire and Ten Great III of Peach Blossom, which are set against a backdrop of ancient Chinese culture. Wen said these enthusiasts not only want to be seen wearing beautiful clothing, but also wish to identify with traditional culture. Hanfu enthusiasts refer to themselves online as tongpao, which literally means wearing the same type of gown as a symbol of comradeship. Most tongpao love traditional culture and see the use of hanfu items as the most important symbol of the group’s identity. They also attend hanfu festivals and travel while wearing the clothing. Deng said she wants to help promote hanfu culture so that more people can acquire accurate information about it and experience its charm. The Donghua University hanfu club now boasts more than 100 members. She said that after years of increased understanding and development, young people’s choices and attitudes toward hanfu have changed greatly. It organizes activities every three weeks for people to learn about the culture, while holding events such as traditional dancing, readings and tea art presentations every week. A girl dressed in hanfu attire attends a party in Shanghai. In addition to promoting such groups, China has encouraged traditional culture in recent years, with the State Council releasing a document in 2017 regarding the inheritance and development of the country’s traditional arts. The 2019 Hanfu Industry Report said items costing from 100 yuan to 300 yuan were the most popular, comprising nearly 42 percent of the market, followed by those selling for 300 yuan to 500 yuan. Those in the 500 yuan to 1,000 yuan price bracket accounted for less than 6 percent of the market. In a video uploaded at the end of 2018, Bilibili user “Shiyin” said she spent 5,450 yuan on a traditional hanfu costume, but had to wait 10 months before it was ready to wear, as it featured a complex design and intricate tailoring. A graduate of Donghua University, where she majored in fashion design, the owner, who only gave her surname of Fan, launched the online store in 2015 after experiencing difficulties finding genuine hanfu items. She said all those from her store sell online for only one to two hours, with stocks quickly selling out as only a few collections are promoted each time. Fan added that it usually takes several months to finish an item, including acquiring the materials, the design process, manufacture and adjustments. A group of hanfu fans parade through downtown Xi’an, capital of Shaanxi province, during a fair. Guo, the Shenzhen designer, said the development of hanfu hinges on it being promoted by enthusiasts, enterprises and industry associations. However, this has resulted in a market with a mix of genuine and fake products.

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